High-Powered Crowd Celebrates New DMA Director Agustin Arteaga And Exclusive U.S. Exhibition of Mexican Modernists

The crowd gathered at the Dallas Museum of Art on Wednesday, March 8, was a distinguished one, befitting the auspicious occasion. Including such luminaries as 2017 Art Ball Co-Chairs Ann and Lee Hobson, Kelli and Allen Questrom, Roger Horchow, Monica Alonzo, Chris Heinbaugh, Janie and Cappy McGarr, Jonathan Martin, Jeremy Strick, Max Wells and Terrell and Jim Falk, the group had assembled to celebrate the curatorial debut of the museum’s new Eugene McDermott Director, Dr. Agustin Arteaga.

Ann and Lee Hobson

Cappy and Janie McGarr

Allen Questrom

Laura Wilson

Agustin Arteaga

And, what a debut Arteaga was curating: the exclusive U.S. presentation of an art exhibition called Mexico 1900-1950, Diego Rivera, Frida Kahlo, Jose Clemente Orozco And the Avant-Garde, featuring 189 works by 66 artists. The exhibit, which debuted last October at the Grand Palais in Paris, will be on display at the DMA through Sunday, July 16. It’s supported by Patron Tequila and presented in partnership with Dallas’ Latino Center for Leadership Development, which was founded by Jorge Baldor.

Mexico 1900-1950 guests

The opening celebration was a first opportunity for many to see and greet Arteaga, who came to Dallas last year after serving as director of the Museo Nacional de Arte in Mexico City, one of Mexico’s largest and most prominent cultural institutions. He was flanked on a raised stage at the DMA by fellow hosts Catherine Marcus Rose, president of the DMA’s board of trustees, and DMA Board Chair Melissa Foster Fetter, as well as by Consul General of Mexico in Dallas Francisco de la Torre Galindo, Director General of International Affairs Jimena Lara Estrada, Patrón’s Director of Brand Innovation Carlos Boughton and Baldor (who told the crowd, “It’s nice to see so many brown faces at the DMA”).

Jorge Baldor, Melissa Foster Fetter, Austin Arteaga, Catherine Marcus Rose, Jimena Lara Estrada, Francisco de la Torre Galindo and Carlos Boughton

The exhibition of modernist paintings, sculpture, photography, drawings, and film, the DMA’s new director explained, was put together in just three months to showcase an “artistic movement that took the world by surprise. … We made it on time,” he added, “and hopefully within the budget!” Arteaga also said the exhibition was only able to come to the U.S. with the Mexican government’s special permission, which had been secured by Maria Christina Garcia Cepeda, the Secretaria de Cultura de Mexico. The cultural secretary had planned to attend the March 8 Dallas event, the director added, but her trip had to be postponed after President Enrique Pena Nieto asked her to appear at a special women’s day event in Mexico City. So, Arteaga promised, “She’ll be here tomorrow.”