Attorneys Serving The Community’s 31st Annual Luncheon Scored A Summer Hit With Junior Players And “Hamilton”‘s Christopher Jackson

Inside the Hilton Anatole’s Carpenter Ballroom, organizers and VIP guests were starting to arrive before 11 a.m. on Friday, June 23. Even the most “been-there, done-that” boldfacer had a look of anticipation. In an adjacent room, fewer than a handful of chairs were set up for an interview with the keynote speaker for the Attorneys Serving the Community’s 31st Annual Luncheon benefiting Junior Players.

KERA reporter Hady Mawajdeh had all his equipment set up as Tony Award-nominated and Grammy Award-winning Christopher Jackson arrived. It was obvious from his height and demeanor why he had scored a Tony nomination for his portrayal of George Washington in “Hamilton.” As Chris settled back in the chair, he proved even more so with his articulate responses to Hady’s questions. Highlights included:

Christopher Jackson and Hady Mawajdeh

  • Junior Players — “They (children) have the distinct perspective of seeing the world as it should be perhaps and as is. Who better to hold up that mirror than the children, especially organizations like the Junior Players, where you’ve got kids from all over the economic spectrum and who are learning what it means to communicate with and express themselves? It’s an organization that can provide a palette for that. There is no higher pursuit in our society than giving kids the opportunity to experience something like that.”
  • The first role —“I grew up with middle-child syndrome. So, acting was pretty much my only way to garner any kind of attention in the house… I participated in every Sunday service every week. So getting up in front of people was never really something I had a hard time with. Pretty much I was the ham. [Laughter]”
  • Career — “A career in the arts is not for everyone. But I would say that 90% of what I get to do is to have fun with my friends. Who doesn’t want to do that for a living? But the same could be said about someone who works in social sciences or teachers or engineers or astronomers. Once you find that passion and a way to it, that’s it right there… For me, it’s as much the pursuit of what I don’t know as it is seeing the finished product on the show or in the song.”
  • Hip Hop — “Hip Hop rap is probably the best form of modern-day storytelling and maybe the latest great, pure American art form… But it depends on what part of the country you come from. Hip hop is very regionalized and that happened very, very quickly toward the end of the ’90s, where every market, every group wanted to have their own sound and created their own sound. The same could be said for rock; the same could be said for gospel music. It’s a testament to how big our country is. And it’s a testament to the different kinds of cultures within our society and there’s room for all of that.”
  • Hamilton — “You’d be amazed how many people have come up to me said, ‘I’m a little nervous about the rap.’ But it’s much like Shakespeare. If you’ve ever seen a Shakespeare play, the first five minutes you have no idea of what’s going on. You don’t know what anybody is saying. You’re not accustomed to people speaking in iambic pentameter. And yet in that first five minutes your ear gets attuned to it and off you go.”
  • Lin-Manuel Miranda — “Lin has been regarded as a modern-day Shakespeare in the way he uses verse to communicate the story and I honestly believe that it certainly descends from that.”
  • Sesame Street — “The idea of writing for ‘Sesame Street’ was a dream come true.”

Peter Altabef, Kara Altenbaumer-Price, Christopher Jackson, Jennifer Altabef, Rosaura Cruz Webb and Beth Bedell

Christopher Jackson and Kathleen LaValle

Michael Holmes, Sophia Holmes and Cathleen Holmes

With that the interview ended at 11:10 a.m., as one of the organizers said, “He’s got a long line out there.” They were speaking of the people lined up along the Carpenter Ballroom wall for the meet-and-greet. Without hesitation, Chris posed for a photo with Hady and headed straight to the sponsor backdrop. Chris accommodated one and all including Co-Chairs Beth Bedell and Kara Altenbaumer-Price, Honorary Co-Chairs Jennifer and Peter Altabef, Junior Players Executive Director Rosaura Cruz Webb, and Kathleen LaValle with autographs, cellphone snaps and chats. Ten-year-old Sophia Holmes’ twin sister, Addison Holmes, couldn’t attend, but Sophia had brought along a “Hamilton” book for Chris to sign. After seeing, “Hamilton” in NYC, Sophia fessed up that Chris’ George Washington was her favorite character.

At 11:30 the doors to the Grand Ballroom opened for nearly 1,000 guests including Ellen Magnis, Joanna Clark, Angie Kadesky. Shelly Slater arrived to be prepped for the onstage chat. Had she met him? No, but she had seen him on YouTube.

The Junior Players arrived and approached the production platform rapping, “Hamilton.”

Jeremy Coca in vest surrounded by Junior Players

, who had been in the first Junior Players musical production three years before when he was attending Booker T. Washington, reported that he had seen Chris in “The Heights.”

Rosaura Cruz-Webb told how the night before, when they were setting up for the luncheon, Chris had come down from his room and chatted and charmed them all.

As the guests started to take their seats, Junior Players one at a time popped up throughout the room performing. Seamlessly, they grabbed everyone’s attention that the program was underway. Chris watched with a smile of admiration at the young performers pulling off a perfect launch for the day’s affair.

At 12:06 Shelly welcomed the group and introduced Kara, who was joined by Beth in presenting the ASC Friend of the Community Award to the Hilton Anatole Senior Catering Sales Manager Catherine New, who has orchestrated many of the area’s major fundraisers.

Beth Bedell, Catherine New and Kara Altenbaumer-Price

Following Rosaura’s telling how Junior Players had turned around her life as a young person, a video was shown with the audio ramped up and the house lights so dim that one guest had to use her cellphone flashlight to find her way out of the ballroom.

Lisette Sandoval

As the video ended, a young woman who had been seated at the far end of the head table took her place at the podium. Her name was Lisette Sandoval and she told how it hadn’t been that long ago that she had felt her destiny was to get pregnant by 15 and drop out of school. Instead her brother directed her to Junior Players, where her life took a different road. Lisette admitted that at one point suicide had been an option. What dashed that thought was news that she had been picked for the cast of “Taming of the Shrew.” She is now going to college on a scholarship.

Lisette was followed by Honorary Co-Chair Peter Altabef and a video of Renee Elise Goldsberry, who had originally been slated to be the keynote speaker. When she had to pull out due to scheduling, Renee arranged for Chris to sub in.

Chris started off by admitting, “Good afternoon, my name is Christopher Jackson and I am not a lawyer. I don’t even play one on TV. I don’t know any lawyer jokes. None of that would surprise or astound you…. I am an artist. A profession that is historically a few rungs lower than a garbage collector, but if all the world is a stage and all the men and women merely players, I beg your patience and indulgence today. I want to sincerely thank ASC for having me here today. Thank you very much. The fact that I have been sweating since I sat down here might be an indication that I am more than a little intimidated being in a room full of people who are clearly smarter than I am.”

Using his own journey from his childhood in Cairo, Illinois, he told of the turning point in his childhood when a teacher handed him a text from “The Crucible,” and invited him to join the speech team. “I don’t what it was that made me said yes, except that perhaps I was so desperate to distinguish myself in some way or the other. I quickly realized that this acting thing was different. For the first time in my life, I wasn’t concerned with what didn’t work. I wasn’t consumed with what I didn’t have. I began to see the world from a character’s perspective and that helped me to develop my own perspective. It was terrifying and exhilarating and it changed my life forever.”

At the age of 17, he moved to New York City to attend the American Musical and Dramatic Academy. In 1997, he was hired to be the understudy for Simba in “The Lion King,” just an hour before the first rehearsal.   

He claimed that if it hadn’t been for that “key”—when he received “The Crucible”—he’d probably be selling caskets in Cairo. Chris was serious. “True story. My family owns a funeral home.”

Chris then praised and encouraged support for the Junior Players for their 55 years of providing a key for thousands and thousands of children “to emerge from utter darkness and seeing an entire galaxy.”

Christopher Jackson

Leaving the podium, he was joined in chairs on stage with Shelly to discuss

  • Getting the role of George Washington — “Lin allowed his imagination to run wild and he saw these characters (in “Hamilton”) in a different way. Lin is one of my best friends in the whole world. I knew very early on that he was on to something because I thought he was crazy. The story is that we were doing a performance of ‘In the Heights,’ and during one of the numbers… he had just come back from vacation and he kinda looked over at me and said, ‘Got the next thing.’ Okay, great! I said, ‘What is it?’ (He said,) ‘It’s about the treasury secretary.’ A few days later, our director Tommy Kail approached me and said, G-dubs!’ I asked, ‘What does that mean?’ ‘George Washington… GW’ I thought, ‘Oh, great! We have shorthand. What does that mean?’ He said I was going to be George Washington. I said, ‘Great! I don’t know anything about George Washington. ‘
  • “Hamilton”’s first preview — “’Hamilton literally began at the White House. Lin was asked to perform a song about the American experience at the Evening of Poetry, Music and Spoken Word. This was in 2009 and he didn’t want to do something from ‘In the Heights.” He was just getting an idea of what ‘Hamilton’ was going to be, so he wrote what would become our opening number and he performed it. Everybody including President Obama looked at him like, ‘What is wrong with him?’”
  • Bro-hug with the President — It was years later when the cast of “Hamilton” was invited to perform at the White House that following the performance, President Obama gave Christopher a “bro hug.” As Christopher recalled, “Moments like that aren’t supposed to happen to a young boy from Cairo. My grandmother, who marched and was a union organizer and civil rights organizer and a black entrepreneur when it was definitely hard to be that in the South, raised me to understand that nothing was impossible… Always be aware of limitations so you can know how to get past them. She raised me to that moment, but she didn’t dream that moment for me.”
  • As a parent — “I’m really at the point where I’m trying to get my kids to pick their shoes up. I’m trying to get them to handle some light chores. I mean, I don’t want them to live like ‘Little House on the Prairie,’ but they can take the trash once in a while and wash their hair. My kids are Neanderthals. I can’t show them how to feel…but I can show them about justice. And I can teach them about inequality and equality. And I can teach them about respect — all the things that I was given and we were all given when it comes to just wake up in the morning, put your shoes, look people in the eye, be honest, look out for someone who has less than you, take up for the kid who is being bullied, stand up for the weaker one of us. It is all of those principles that I was given and try to live by….”

While summer heat may shoo locals to cooler places, the ASC’s 31st Annual luncheon made staying in North Texas seem like the coolest place in the world, thanks to Chris and the Junior Players.

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